Rich Holly

COUNTRY United States      
GROUP Northern Illinois University      

Biography

Rich Holly has been a Professor of Percussion at Northern Illinois University since 1983, and currently holds the position of Dean of the NIU College of Visual and Performing Arts. Rich has appeared over 300 times at schools, colleges, universities, conventions and festivals throughout the United States, Europe, Canada and Asia. Rich received his formal training at the State University of New York at Potsdam and East Carolina University. His principal teachers were Henry Gates, Howie Mann, James Petercsak, and Harold Jones. As well, Rich studied Brazilian percussion with Manoel Monteiro, Afro-Cuban drumming with Frank Malabe, and West African drumming with Abraham Adzenyah and Famoudou Konate. Rich was a founding member of the Abraxas Percussion Group, and has performed with the Long Island Holiday Festival Orchestra, the Lyric Opera of New York, and the North Carolina Symphony. For 11 seasons Rich was Timpanist of the Illinois Chamber Symphony.

As a drumset artist, Rich has appeared with Allen Vizzutti, John Fedchock, Dave Samuels, Bill Molenhof, Ethel Merman, Red Skelton, Bob McGrath and Sesame Street and many others. From 1984 to 2000 Rich played drumset and percussion with Inner City recording artists Rhythmic Union.

Rich's articles have appeared in almost every major music journal, and from 1986 to 2002 he was Associate Editor for Percussive Notes magazine. His published percussion compositions are sold around the world, and he is a Past President of the Percussive Arts Society (www.pas.org). His guest appearances are sponsored in part by SABIAN Cymbals Ltd., Yamaha Music Corporation of America, and Innovative Percussion sticks and mallets, and he is a member of the Latin Percussion Educational Advisory Board. Rich's popular book "Majoring in Music - All The Stuff You Need to Know" is available from booksellers world-wide.

ARTIST SET-UP: "For drum set, I love mixing the HH series with the AA series in different combinations depending upon the style of the artist I'm backing at the time. For orchestral work, it's HH all the way for me!"

Matthew Coley

Sonic Inertia

Matthew C. Cremisio

Take Five

Dr. Jeannine Remy

Univ. Of The West Indies

Amy Savage

Freelance / Duke University

James Dreier

University Of Iowa